{"id":5778,"date":"2026-01-31T10:14:35","date_gmt":"2026-01-31T10:14:35","guid":{"rendered":"http:\/\/archworks.agu.edu.tr\/?p=5778"},"modified":"2026-01-31T10:14:35","modified_gmt":"2026-01-31T10:14:35","slug":"verso-gulnihal-tan","status":"publish","type":"post","link":"http:\/\/archworks.agu.edu.tr\/index.php\/2026\/01\/31\/verso-gulnihal-tan\/","title":{"rendered":"VERSO \/ G\u00dcLN\u0130HAL TAN"},"content":{"rendered":"<p><strong>VERSO<\/strong><\/p>\n<p>Concept and Context: Inspired by Italo Calvino\u2019s <em>Moriana<\/em>, Verso is a spatial translation of urban duality. The project is centered around an imaginary creature called Vector, a &#8220;directed force&#8221; that maintains equilibrium between the city\u2019s contrasting realms. The architectural form is not a static shell but a physical manifestation of Vector\u2019s daily routine. Derived from the Italian concept of &#8220;direction,&#8221; Verso functions as a dynamic urban model where biological movement defines spatial mass. The project explores the tension between the seen and the unseen, translating a living organism&#8217;s balancing role into a complex, layered spatial form. The project\u2019s aura is defined by a transition from permeability to density. Structurally, Verso is powered by a metabolic cycle composed of four main modules. These modules aggregate to create distinct spatial atmospheres: &#8220;Absorption Spaces&#8221; for gathering, &#8220;Transformation Hubs&#8221; for processing, and &#8220;Storage Units&#8221; for memory. In the Bright Side, the geometry is expansive and light-filled, utilizing semi-transparent modules. As the organism moves toward the Dark Quarter, the architecture constricts into &#8220;Enclosed Information Hubs.&#8221; These labyrinthine paths reflect a heavier character, where information is stored as &#8220;distorted memory.&#8221; This modular system mimics the creature\u2019s anatomy, creating a serpentine circulation that serves as the city&#8217;s primary skeleton. A Day in Verso As I move through the &#8220;Heart of the Bright Side,&#8221; the atmosphere feels rhythmic and airy. I am surrounded by semi-open voids that seem to inhale the surroundings; there is a sense of collective energy as information flows through the wide, spiraling ramps. However, as I follow the creature\u2019s path toward the inner sanctums, the light fades and the walls tighten. The air grows still in the &#8220;Silencing&#8221; zones. Here, in the core modules, the architecture feels like a protective cocoon, guarding the city\u2019s secrets. Walking through Verso is not just traversing a building; it is participating in a metabolic cycle of gathering, converting, and remembering.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-5780\" src=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P-701x1024.jpeg\" alt=\"\" width=\"740\" height=\"1081\" srcset=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P-701x1024.jpeg 701w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P-206x300.jpeg 206w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P-768x1121.jpeg 768w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P-1052x1536.jpeg 1052w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-P.jpeg 1096w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5781\" src=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1-232x300.jpeg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1-232x300.jpeg 232w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1-790x1024.jpeg 790w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1-768x995.jpeg 768w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1-1186x1536.jpeg 1186w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-1.jpeg 1235w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5783\" src=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2-262x300.jpeg\" alt=\"\" width=\"262\" height=\"300\" srcset=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2-262x300.jpeg 262w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2-894x1024.jpeg 894w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2-768x880.jpeg 768w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2-1341x1536.jpeg 1341w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GULNIHAL-2.jpeg 1397w\" sizes=\"auto, (max-width: 262px) 100vw, 262px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5784\" src=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5-240x300.jpeg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5-240x300.jpeg 240w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5-819x1024.jpeg 819w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5-768x961.jpeg 768w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5-1228x1536.jpeg 1228w, http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/01\/GUL-5.jpeg 1279w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>VERSO Concept and Context: Inspired by Italo Calvino\u2019s Moriana, Verso is a spatial translation of urban duality. The project is centered around an imaginary creature called Vector, a &#8220;directed force&#8221; that maintains equilibrium between the city\u2019s contrasting realms. The architectural form is not a static shell but a physical manifestation of Vector\u2019s daily routine. Derived [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":5779,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-5778","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f25-arch101"],"_links":{"self":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/5778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=5778"}],"version-history":[{"count":1,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/5778\/revisions"}],"predecessor-version":[{"id":5785,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/5778\/revisions\/5785"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/5779"}],"wp:attachment":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=5778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=5778"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=5778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}