{"id":6277,"date":"2026-02-02T17:20:15","date_gmt":"2026-02-02T17:20:15","guid":{"rendered":"http:\/\/archworks.agu.edu.tr\/?p=6277"},"modified":"2026-02-02T17:20:15","modified_gmt":"2026-02-02T17:20:15","slug":"med-i-art-museum-zeynep-dogru","status":"publish","type":"post","link":"http:\/\/archworks.agu.edu.tr\/index.php\/2026\/02\/02\/med-i-art-museum-zeynep-dogru\/","title":{"rendered":"MED-I ART MUSEUM \/ Zeynep DO\u011eRU"},"content":{"rendered":"<p><strong>MED-I ART MUSEUM \/ Zeynep DO\u011eRU<\/strong><\/p>\n<p><span data-contrast=\"auto\">The project investigates the transformation of media from analog to digital and questions the <\/span><b><span data-contrast=\"auto\">disappearance of structural visibility<\/span><\/b><span data-contrast=\"auto\">\u00a0that accompanies this shift. In the\u00a0analog\u00a0era, media devices such as cameras, projectors, and machines were mechanical systems whose internal logic could be physically observed, dismantled, and understood. Media was not only a carrier of content but also a tangible object with weight, texture, and spatial presence. With the emergence of digital media, this structural legibility gradually disappears. Technology becomes opaque, operating through screens, virtual environments, and software, while its internal mechanisms remain hidden from direct perception.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">This conceptual transition is translated into an architectural narrative structured through a sequence of spaces. The project begins with the\u00a0analog\u00a0media zone, designed as an open-structure antique market. Here, the building is defined solely by exposed steel axes, structural grids, and load-bearing elements without an enclosing roof. The absence of enclosure recalls the naked mechanical logic of\u00a0analog\u00a0machines when opened, allowing the structure to be read as both a supporting and exhibited element. Analog objects establish a direct physical relationship with users, reinforcing the idea of media as a material entity.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">As the project moves toward the digital media zone, the architecture becomes more controlled and enclosed. Structural elements densify, spatial boundaries sharpen, and the building gradually withdraws into the background.\u00a0Similar to\u00a0digital media itself, the structure remains present but unreadable, prioritizing screen-based experiences over physical interaction.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">In the final stage, media transcends devices and screens and becomes embodied through performing arts. Within this zone, structural elements dissolve into transparent glass columns, and the building envelope approaches complete transparency. Architecture no longer functions primarily as a carrier of media but instead creates an open framework that allows movement, performance, and bodily expression to become the medium itself.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Ultimately, the project proposes a shift in architectural agency: as media moves from objects to screens and finally to the body, architecture evolves from a visible structure into an\u00a0<\/span><b><span data-contrast=\"auto\">interface<\/span><\/b><span data-contrast=\"auto\">\u00a0that enables interaction rather than representation.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6279\" src=\"http:\/\/archworks.agu.edu.tr\/wp-content\/uploads\/2026\/02\/dogruzeynep_3356_661623_zeynep_dogru_arch301-teslim_Sayfa_1.jpg\" alt=\"\" width=\"14043\" height=\"9933\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MED-I ART MUSEUM \/ Zeynep DO\u011eRU The project investigates the transformation of media from analog to digital and questions the disappearance of structural visibility\u00a0that accompanies this shift. In the\u00a0analog\u00a0era, media devices such as cameras, projectors, and machines were mechanical systems whose internal logic could be physically observed, dismantled, and understood. Media was not only a [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":6278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-6277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f25-arch301"],"_links":{"self":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/6277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=6277"}],"version-history":[{"count":1,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/6277\/revisions"}],"predecessor-version":[{"id":6280,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/posts\/6277\/revisions\/6280"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/media\/6278"}],"wp:attachment":[{"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=6277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/categories?post=6277"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/archworks.agu.edu.tr\/index.php\/wp-json\/wp\/v2\/tags?post=6277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}